sample of publications
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articles
- Curating the middlebrow: Filmin's strategies for distinction in the Spanish SVoD market. Journal of Digital Media and Policy. 15:259-277. 2024
- [Rec] and beyond: Spanish cinema, digital technology and the transnationalization of horror. Studies in European Cinema. 21:156-174. 2024
- Hong Kong and Taipei in the 1990s: From Wong Kar Wai's to Tsai Ming-Liang's Cinematic Works. Quarterly Review of Film and Video. 2023
- 'We Pay to Buy Ourselves': Netflix, Spectators & Streaming. Journal of Communication Inquiry. 47:126-144. 2023
- Audiovisual streaming, networked memory & Netflix: the spectator-interface. Creative Industries Journal. 2022
- Contemporary Spanish Comedies, "Mirror Films" & European Cinema: Evaluating Ocho Apellidos Vascos/Spanish Affair. Quarterly Review of Film and Video. 39:711-730. 2022
- Delivering a Coup D'état: 23F and the Diminishing Role of Spanish Public Broadcaster RTVE in the Digital Era. International Journal of Communication. 15:3115-3138. 2021
- The Return of Genre in 1990s Spanish Cinema: Industry, Legislative Changes and Economics. Hispanic Research Journal. 21:3-22. 2020
- Coda. From the Barcelona Olympics to Alcàsser: two images of 1992 and their afterlives. Journal of Spanish Cultural Studies. 21:97-117. 2020
- Online soccer fandom: from Social Networking to Gaming. Sport in Society. 22:2104-2121. 2019
- Daenerys Targaryen Will Save Spain: Game of Thrones, Politics and the Public Sphere. Television & New Media. 20:423-442. 2019
- Atlético versus Real: Madrid's soccer feud, urban space and stadia. Soccer and Society. 19:716-729. 2018
- Soccer, Nationalism & the Media in Contemporary Spanish Society: La Roja, Real Madrid & FC Barcelona. Soccer and Society. 17:628-643. 2016
- Urban Segregation, Game Arcades & Codified Porn: Representations of Youth in Madrid (1980-1995). Journal of Urban Cultural Studies. 3:189-205. 2016
- Espectros de la Movida: año 2014. Kamchatka. 265-267. 2014
- "Pasa la vida": Cartografías Urbanas de Madrid en la Post-Transición (1982-1994). Cahiers de civilisation espagnole contemporaine: de 1808 au temps présent. 2014
- La (Post-)Transición y la posibilidad de un cine político basado en la intimidad: de Ópera prima a El Futuro. Shangrila : derivas y ficciones aparte. 126-145. 2014
- Representations of Madrid in the (post-)transition to democracy. NECSUS. European Journal of Media Studies. 2014
- Spoof trailers, hyperlinked spectators & the web. NEW MEDIA & SOCIETY. 16:149-164. 2014
- Children of Men and Demonlover: Corporate psyches, media bodies and the possibility of Tomorrow. Film International. 9:37-52. 2011
- Fuck el vals: la contingencia sin ley del deseo en Eyes Wide Shut. Film International. 9:294-315. 2011
- Surgical passports, the EU and Dirty Pretty Things: Rethinking European identity through popular cinema. Studies in European Cinema. 8:21-30. 2011
- Digital technology, aesthetic imperfection and political film-making: Illegal bodies in motion. Transnational Cinemas. 2:3-19. 2011
- YouTube, video y cultura participativa en la era de internet [book review]. Archivos de la filmoteca. 202-205. 2011
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book chapters
- Cine y cultura popular en los 90: España-Latinoamérica, claves conceptuales. In: Cine y cultura popular en los 90: España-Latinoamérica. Peter Lang, S.A. 9-21. 2020
- Spanish Horror Film: Genre, Television and a New Model of Production. In: European Cinema in the Twenty-First Century: Discourses, Directions and Genres. PALGRAVE. 317-333. 2020
- Provocación, imperfección y los límites de lo representable en la música y el cine independientes. In: La música en la pantalla: intersecciones entre la historia y el sonido fílmico. EDITORIAL SINTESIS. 169-183. 2019
- (Re) born Again: When Jess Franco Met the Indies. In: The Films of Jess Franco. Wayne State University Press. 265-289. 2018
- Digital technology, aesthetic imperfection and political film-making: Illegal bodies in motion. In: Transnational Cinema at the Borders. Boderscapes and the Cinematic Imaginary. Routledge. 90-106. 2018
- Sun-Drenched Corruption: Organized Crime, Global Capitalism, and the Mediterranean Coast in Recent Spanish Cinema. In: A Companion to the Gangster Film. JOHN WILEY AND SONS. 283-301. 2018
- Parchís as a multimedia franchise: Consumption and fandom across the Hispanic world. In: Childhood and celebrity. Routledge. 2017
- Blurring Reality and Fiction in Contemporary Spanish Horror TV: The Case of Daniel Calparsoro. In: Tracing the Borders of Spanish Horror Cinema and Television. Routledge. 235-251. 2017
- Ciudad, subjetividad y crimen: Los Ángeles en Heat y Collateral. In: Michael Mann: creador a la Vanguardia. Shangrila. 2016
- Cultura popular y Michael Mann: de MTV al best seller, de Miami Vice a Hunter. In: Michael Mann: creador a la Vanguardia. Shangrila. 2016
- (In)Visible Co-Productions, Spanish Cinema, the Market and the Media. In: Global Genres, Local Films : The Transnational Dimension of Spanish Cinema. BLOOMSBURY PUBLISHING PLC. 247-260. 2015
- Matilde Fernández : Directing Television. In: A New Gaze: Women Creators of Film and Television in Democratic Spain. CAMBRIDGE SCHOLARS PUBLISHING. 181-188. 2015
- Clowns, Goats, Music and the Comedic Violent: Late Francoism and the Transition to Democracy in Álex de la Iglesia's Films. In: (Re)viewing Creative, Critical and Commercial Practices in Contemporary Spanish Cinema. INTELLECT LTD. 235-247. 2014
- "Aquellos guardias civiles que interrumpieron la votación..": humor y subversión en las representaciones del 23-F en la cultura popular. In: Cartografías del 23-F: representaciones en la prensa, la televisión, la novela, el cine y la cultura popular. Editorial Laertes. 225-248. 2014
- Piggin' Out! Constructing Spanish Cultural History Through Media Sampling. In: Sampling Media. OXFORD UNIVERSITY PRESS. 88-100. 2014
- Almodóvar, cyberfandom, and participatory culture. In: A Companion to Pedro Almódovar. JOHN WILEY AND SONS. 524-549. 2013
- (Almost) Everybody loves Javier Bardem.."For he is a good actor": Critical reception in the Spanish and US Media. In: Transnational Stardom. International Celebrity in Film and Popular Culture. PALGRAVE. 165-186. 2013
- Homoeroticism Contained: Gender and Sexual Translation in John Woo's Migration to Hollywood. In: Gender meets Genre in Postwar Cinemas. University of Illinois Press. 191-202. 2012
- Film Noir, the Thriller, and Horror. In: A Companion to Spanish Cinema. Wiley-Blackwell. 259-290. 2012
- Melodrama and Historical Film. In: A Companion to Spanish Cinema. Wiley-Blackwell. 224-258. 2012
- La Transición en YouTube: memoria, apropiación y reciclaje. In: El cine y la Transición política en España (1975-1982). EDITORIAL BIBLIOTECA NUEVA,S.L.. 177-191. 2011
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books
- Saber ubicarse. Conversaciones con Borja Cobeaga. Ed. 22. MADRID: UNIVERSIDAD CARLOS III DE MADRID. 2024
- Jo Labanyi: A Contracorriente. TECMERIN. 2020
- Cine y cultura popular en los 90: España-Latinoamérica. Berlín: Peter Lang. 2020
- Necesidad de contar. Joaquín Oristrell. Ed. 10. 2016
- Michael Mann: creador a la Vanguardia. SANTANDER: Shangrila. 2016
- El celuloide, YouTube y yo. BUBOK PUBLISHING S.L.. 2013
- La ciudad global en el cine contemporaneo : una perspectiva transnacional. SANTANDER: Asociación Shangrila Textos Aparte. 2012
- Contemporary Spanish Cinema and Genre. MANCHESTER UNIVERSITY PRESS. 2009
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conference contributions
- The Spanish Transition to Democracy? To What? A Video Essay 2016
- 1980s Spanish History through Contemporary Television: The Case of Cuéntame cómo pasó 2015
- Censura y post-transición (vídeo-ensayo) 2015
- Huellas de la Movida. Año 2014. ¿Dónde están? ¿Qué queda? 2015
- La banda sonora en Miami Vice ... mucho más que en MTV 2015
- Sesión 8. Recepción 2015
- Cartografías de Madrid en la Post-Transición: Géneros, Huellas del Franquismo y Valores Democráticos 2014
- Cinematic Representations of Madrid in the Post-Transition: Memory, Politics and Desire 2013
- From Demonlover to White Bear: media bodies, vicious consumption & power 2013
- "Me suena, pero...": cultura participativa, Internet, el panorama audiovisual español y la Transición 2012
- The Transition, Youtube & Sampling: Historical Re-writing or Navigational Whims? 2012
- 'Fags', Rock'n'roll & Performance: Spanish TV in the Transition to Democracy 2011
- Payasos, cabras, música y lo violento-cómico: tardofranquismo y la Transición a la democracia en los films de Álex de la Iglesia 2011
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working papers