Co-author Network
Co-researcher Network
sample of publications
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articles
- Localizing global platforms in Scandinavia and globalizing Scandinavian popular cinema: Netflix, SF Studios and the contemporary Nordic film industries. Journal of Scandinavian Cinema. 14:107-126. 2024
- Netflix' Spain: Critical Perspectives [Book review]. International Journal of Iberian Studies. 37:181-183. 2024
- Global and Local Rhetorics at a Public-Facing Private Company: Studiocanal and French Cinema. Contemporary French Civilization. 46:311-330. 2021
- Introduction: Canal+ and Contemporary French Cinema and Television. Contemporary French Civilization. 46:263-266. 2021
- Icarus in RED: Understanding EuropaCorp's Failed American Experiment. Les Cahiers de Champs Visuels. 107-140. 2020
- Becoming a Global Producer: Creative and Industrial Change at Post-Studiocanal RED. Journal of British Cinema and Television. 16:305-326. 2019
- Introduction: The Age of the Indies: 20 Years of RED Production. Journal of British Cinema and Television. 16:261-272. 2019
- Corporate agency in European cinema: A special issue of Studies in European cinema. Studies in European Cinema. 16:1-4. 2019
- European cinema in an era of Studio-Building: some artistic and industrial tendencies in Studiocanal's output, 2006-present. Studies in European Cinema. 5-21. 2018
- Transnational Production, International Policy, and South African Cinema. Black Camera. 9:216-234. 2018
- Studiocanal and the changing industrial landscape of European Cinema and Television. Media Industries. 3:49-64. 2016
- The Danish producer in an era of convergence and globalization: An interview with Meta Louise Foldager. Journal of Scandinavian Cinema. 6. 2016
- Ismail Merchant, Harry Alan Towers and Post-Imperial 'British' Cinema. Journal of British Cinema and Television. 9:58-76. 2012
- The Producer as Salesman: Jeremy Thomas, Film Promotion and Contemporary Transnational Independent Cinema. Historical Journal of Film, Radio and Television. 29:467-481. 2009
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book chapters
- Introduction. In: European Cinema in the Streaming Era: Policy, Platforms, and Production. Palgrave Macmillan. XXVII-XIIX. 2024
- Producers and Industrial Change: Morena Films and Spanish Cinema in the Streaming Era. In: European Cinema in the Streaming Era: Policy, Platforms and Production. Palgrave Macmillan. 191-224. 2024
- Global Service, Transnational Stories: Streaming Privileged and Precarious Mobility in Netflix's Original Films. In: Border Crossings and Mobilities on Screen. Routledge. 75-88. 2022
- Corporate consolidation, artistic conservatism and the persistence of Hollywood.The European film industry, 2006&-2020. In: The Routledge Companion to European Cinema. Routledge. 274-284. 2021
- Remakes and Globally-Oriented European Cinema: Contemporary Industrial Practices and Shifting Hierarchies. In: European Film Remakes. Edinburgh University Press. 225-239. 2021
- Estudiar cine en Cuba: la importancia de la Escuela Internacional de Cine y Televisión (EICTV) en el cine español y latinoamericano de los 90. In: Cine y cultura popular en los 90: España-Latinoamérica. Peter Lang, S.A. 85-104. 2020
- From Europe to Hollywood and Back Again: Aardman and its Studio Partners. In: Aardman Animations : Beyond Stop-Motion. BLOOMSBURY PUBLISHING PLC. 71-82. 2020
- The Emergence of Pan-European Film Studios and its Implications for Co-Production Studies and Policy. In: European Film and Television Co-Production: Policy and Practice. PALGRAVE. 121-136. 2018
- Post-Imperial Producers: Emile Sherman, Iain Canning and Contemporary Anglo-Australian Cinema. In: Beyond the Bottom Line: The Producer in Film and Television Studies. BLOOMSBURY PUBLISHING PLC. 265-281. 2014
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books
- European Cinema in the Streaming Era: Policy, Platforms, and Production. Cham: Palgrave Macmillan. 2024
- Mass Producing European Cinema: Studiocanal and Its Works. Londres: BLOOMSBURY PUBLISHING PLC. 2019
- Scottish Cinema: Texts and Contexts. MANCHESTER UNIVERSITY PRESS. 2015
- Beyond the Bottom Line: The Producer in Film and Television Studies. BLOOMSBURY PUBLISHING PLC. 2014
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conference contributions
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working papers
- Developing a Legal Instrument for Drama Series Co-Production in Europe: Case Studies, Legal Precedents, and Recommendations. Report for Eurimages (Council of Europe) 2022
- European Conglomerates and the Contemporary European Audiovisual Industries: Transforming the Industrial Landscape Amid the Arrival of SVOD Platforms, a High-End Television Boom, and the COVID-19 Crisis. A report commissioned by the European Commission 2021