sample of publications

• articles 

  • Becoming a Global Producer: Creative and Industrial Change at Post-Studiocanal RED.  Journal of British Cinema and Television.  16:305-326. 2019
  • Introduction: The Age of the Indies: 20 Years of RED Production.  Journal of British Cinema and Television.  16:261-272. 2019
  • Corporate agency in European cinema: A special issue of Studies in European cinema.  Studies in European Cinema.  16:1-4. 2019
  • European cinema in an era of Studio-Building: some artistic and industrial tendencies in Studiocanal's output, 2006-present.  Studies in European Cinema.  5-21. 2018
  • Transnational Production, International Policy, and South African Cinema.  BLACK CAMERA.  9:216-234. 2018
  • Studiocanal and the changing industrial landscape of European Cinema and Television.  Media Industries.  3:49-64. 2016
  • The Danish producer in an era of convergence and globalization: An interview with Meta Louise Foldager.  Journal of Scandinavian Cinema.  6. 2016
  • Ismail Merchant, Harry Alan Towers and Post-Imperial 'British' Cinema.  Journal of British Cinema and Television.  9:58-76. 2012
  • The Producer as Salesman: Jeremy Thomas, Film Promotion and Contemporary Transnational Independent Cinema.  Historical Journal of Film Radio and Television.  29:467-481. 2009

• book chapters 

  • The Emergence of Pan-European Film Studios and its Implications for Co-Production Studies and Policy. In: European Film and Television Co-Production: Policy and Practice .  PALGRAVE. 121-136. 2018
  • Post-Imperial Producers: Emile Sherman, Iain Canning and Contemporary Anglo-Australian Cinema. In: Beyond the Bottom Line: The Producer in Film and Television Studies.  BLOOMSBURY PUBLISHING PLC. 265-281. 2014

• books 

  • Mass Producing European Cinema: Studiocanal and Its Works.  Londres: BLOOMSBURY PUBLISHING PLC. 2019