sample of publications

• articles 

  • Localizing global platforms in Scandinavia and globalizing Scandinavian popular cinema: Netflix, SF Studios and the contemporary Nordic film industries.  Journal of Scandinavian Cinema.  14:107-126. 2024
  • Netflix' Spain: Critical Perspectives [Book review].  International Journal of Iberian Studies.  37:181-183. 2024
  • Global and Local Rhetorics at a Public-Facing Private Company: Studiocanal and French Cinema.  Contemporary French Civilization.  46:311-330. 2021
  • Introduction: Canal+ and Contemporary French Cinema and Television.  Contemporary French Civilization.  46:263-266. 2021
  • Icarus in RED: Understanding EuropaCorp's Failed American Experiment.  Les Cahiers de Champs Visuels.  107-140. 2020
  • Becoming a Global Producer: Creative and Industrial Change at Post-Studiocanal RED.  Journal of British Cinema and Television.  16:305-326. 2019
  • Introduction: The Age of the Indies: 20 Years of RED Production.  Journal of British Cinema and Television.  16:261-272. 2019
  • Corporate agency in European cinema: A special issue of Studies in European cinema.  Studies in European Cinema.  16:1-4. 2019
  • European cinema in an era of Studio-Building: some artistic and industrial tendencies in Studiocanal's output, 2006-present.  Studies in European Cinema.  5-21. 2018
  • Transnational Production, International Policy, and South African Cinema.  Black Camera.  9:216-234. 2018
  • Studiocanal and the changing industrial landscape of European Cinema and Television.  Media Industries.  3:49-64. 2016
  • The Danish producer in an era of convergence and globalization: An interview with Meta Louise Foldager.  Journal of Scandinavian Cinema.  6. 2016
  • Ismail Merchant, Harry Alan Towers and Post-Imperial 'British' Cinema.  Journal of British Cinema and Television.  9:58-76. 2012
  • The Producer as Salesman: Jeremy Thomas, Film Promotion and Contemporary Transnational Independent Cinema.  Historical Journal of Film, Radio and Television.  29:467-481. 2009

• book chapters 

  • Introduction [European Cinema in the Streaming Era: Policy, Platforms, and Production]. In: European Cinema in the Streaming Era: Policy, Platforms, and Production.  Palgrave Macmillan. XXVII-XIIX. 2024
  • Producers and Industrial Change: Morena Films and Spanish Cinema in the Streaming Era. In: European Cinema in the Streaming Era: Policy, Platforms and Production.  Palgrave Macmillan. 191-224. 2024
  • Depuis que le streaming existe?: Gaumont and French Cinema in the Streaming Era. In: Is it French? Popular Postnational Screen Fiction from France.  Palgrave MacMillan. 237-255. 2024
  • SVOD Original Film Commissioning: Expanding the Boundaries of Commercial Film?. In: Streaming Stories: Storytelling Across Borders.  New York University Press. 280-296. 2023
  • Global Service, Transnational Stories: Streaming Privileged and Precarious Mobility in Netflix's Original Films. In: Border Crossings and Mobilities on Screen.  Routledge. 75-88. 2022
  • Corporate consolidation, artistic conservatism and the persistence of Hollywood.The European film industry, 2006&-2020. In: The Routledge Companion to European Cinema.  Routledge. 274-284. 2021
  • Remakes and Globally-Oriented European Cinema: Contemporary Industrial Practices and Shifting Hierarchies. In: European Film Remakes.  Edinburgh University Press. 225-239. 2021
  • Estudiar cine en Cuba: la importancia de la Escuela Internacional de Cine y Televisión (EICTV) en el cine español y latinoamericano de los 90. In: Cine y cultura popular en los 90: España-Latinoamérica.  Peter Lang, S.A. 85-104. 2020
  • From Europe to Hollywood and Back Again: Aardman and its Studio Partners. In: Aardman Animations : Beyond Stop-Motion.  BLOOMSBURY PUBLISHING PLC. 71-82. 2020
  • The Emergence of Pan-European Film Studios and its Implications for Co-Production Studies and Policy. In: European Film and Television Co-Production: Policy and Practice.  PALGRAVE. 121-136. 2018
  • Post-Imperial Producers: Emile Sherman, Iain Canning and Contemporary Anglo-Australian Cinema. In: Beyond the Bottom Line: The Producer in Film and Television Studies.  BLOOMSBURY PUBLISHING PLC. 265-281. 2014

• books 

  • European Cinema in the Streaming Era: Policy, Platforms, and Production.  Cham: Palgrave Macmillan. 2024
  • Mass Producing European Cinema: Studiocanal and Its Works.  Londres: BLOOMSBURY PUBLISHING PLC. 2019
  • Scottish Cinema: Texts and Contexts.  MANCHESTER UNIVERSITY PRESS. 2015
  • Beyond the Bottom Line: The Producer in Film and Television Studies.  BLOOMSBURY PUBLISHING PLC. 2014

• conference contributions 

  • Cinema in an Age of Content: Towards a Critical Agenda for Researching Netflix Films 2019

• working papers 

  • Plataformas y el Auge de la Producción en España y América Latina: Recorriendo la Fiebre del Oro. En: Panorama Audiovisual Iberamericano 2023 2023
  • Developing a Legal Instrument for Drama Series Co-Production in Europe: Case Studies, Legal Precedents, and Recommendations. Report for Eurimages (Council of Europe) 2022
  • European Conglomerates and the Contemporary European Audiovisual Industries: Transforming the Industrial Landscape Amid the Arrival of SVOD Platforms, a High-End Television Boom, and the COVID-19 Crisis. A report commissioned by the European Commission 2021