sample of publications
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articles
- Becoming a Global Producer: Creative and Industrial Change at Post-Studiocanal RED. Journal of British Cinema and Television. 16:305-326. 2019
- Introduction: The Age of the Indies: 20 Years of RED Production. Journal of British Cinema and Television. 16:261-272. 2019
- Corporate agency in European cinema: A special issue of Studies in European cinema. Studies in European Cinema. 16:1-4. 2019
- European cinema in an era of Studio-Building: some artistic and industrial tendencies in Studiocanal's output, 2006-present. Studies in European Cinema. 5-21. 2018
- Transnational Production, International Policy, and South African Cinema. BLACK CAMERA. 9:216-234. 2018
- Studiocanal and the changing industrial landscape of European Cinema and Television. Media Industries. 3:49-64. 2016
- The Danish producer in an era of convergence and globalization: An interview with Meta Louise Foldager. Journal of Scandinavian Cinema. 6. 2016
- Ismail Merchant, Harry Alan Towers and Post-Imperial 'British' Cinema. Journal of British Cinema and Television. 9:58-76. 2012
- The Producer as Salesman: Jeremy Thomas, Film Promotion and Contemporary Transnational Independent Cinema. Historical Journal of Film Radio and Television. 29:467-481. 2009
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book chapters
- The Emergence of Pan-European Film Studios and its Implications for Co-Production Studies and Policy. In: European Film and Television Co-Production: Policy and Practice . PALGRAVE. 121-136. 2018
- Post-Imperial Producers: Emile Sherman, Iain Canning and Contemporary Anglo-Australian Cinema. In: Beyond the Bottom Line: The Producer in Film and Television Studies. BLOOMSBURY PUBLISHING PLC. 265-281. 2014
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books
- Mass Producing European Cinema: Studiocanal and Its Works. Londres: BLOOMSBURY PUBLISHING PLC. 2019